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The Spokesman-Review Newspaper
Spokane, Washington  Est. May 19, 1883

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Tami Hennessy uses art to showcase struggles, beauty behind functional neurological disorder

Tami Hennessy uses art to showcase struggles, beauty behind functional neurological disorder

When Tami Hennessy finished assembling her tree inside Shotgun Studios, it was much larger than expected. Carefully constructed of the moldable, easy-to-carve polyethylene foam found cheap in the form of pool noodles, the tree stands nearly 8 feet and its arms span over 12. Sharp words are etched in its bark, and black-brown oozes from its ridges. In its middle is a purple-rimmed pit that looks like it could only be described as the knots in your stomach. But clumped about the trunk and barren branches are patches of bright green moss, showing that life still abounds on this blackened, twisted tree.

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A&E >  Art

Tami Hennessy uses art to showcase struggles, beauty behind functional neurological disorder

When Tami Hennessy finished assembling her tree inside Shotgun Studios, it was much larger than expected. Carefully constructed of the moldable, easy-to-carve polyethylene foam found cheap in the form of pool noodles, the tree stands nearly 8 feet and its arms span over 12. Sharp words are etched in its bark, and black-brown oozes from its ridges. In its middle is a purple-rimmed pit that looks like it could only be described as the knots in your stomach. But clumped about the trunk and barren branches are patches of bright green moss, showing that life still abounds on this blackened, twisted tree.

A&E >  Art

For the Lakota, creativity thrives where there’s no word for art

KYLE, S.D. – There is no word for art in the Lakota language. But the power of art, in every facet of life, has drawn a boisterous group of moccasin beaders, painters, regalia artists and producers of Native hip-hop down a two-lane road that undulates through the tawny hills of the Pine Ridge Indian Reservation, 8 miles from the nearest intersection.
A&E >  Art

Difference Makers: Shawn Brigman ‘visually decolonizes the plateau aesthetic’ with revival of Spokane tribal architecture

Shawn Brigman was in preschool when he first caught a glimpse of the Spokane River. On a field trip to a museum exhibit of Indigenous artifacts with his class, they first stopped to see the massive waterway. As 4-year-old Brigman approached a ravine to peer down at the river, its roar rang louder and louder in his ears until the intensity of the water overtook him – a sensation he compared to an adrenaline rush .